A Personal Search For the Complementarity of Music and Visual Art (1992) uses the concept of complementarity to make sense of the confusion that existed between fine art and technology in the late 20th century.

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Series looking at the revolution in 20th century music. Wrecking Ball It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. Free for All Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. Easy Listening Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

How do you turn a talent search into a phenomenon? Simple. You let America be the judge. In the summer of 2002, that's exactly what producer Simon Fuller's 19 Entertainment along with FremantleMedia did for Fox Television. Beginning with an open call for auditions in seven cities across the country, American Idol judges Randy Jackson, Paula Abdul and Simon Cowell narrowed a field of over 10,000 pop singer wannabes to one American Idol.

Tukiki is a small Eskimo boy who sets out to discover the meaning of Christmas along with a magical character known as North Wind. He visits different places and learns about their customs of Christmas which brings about a turn of events when he arrives home.

A nine part television series, produced by J.C. Crimmins for PBS. Music composed, arranged and performed by Pat Metheny and Lyle Mays. The stated purpose of “The Search for Solutions” is to stimulate interest in science and technology, primarily among the young. The film comprises nine 18-minute sections touching on various aspects of scientific inquiry that its makers say can be shown as a whole, as it is in this engagement, or in any combination of its parts.

In an age of science, one tale of the supernatural continues to seduce us: the legend of the vampire. At last, scientists are digging vampires out of their tombs to take a good, long look at them. What they're finding is a surprising factual side to the ancient legend. Fact may be stranger than fiction!

In the northern hemisphere, snow is produced by atmospheric low pressure areas that move in from the western Atlantic in the form of huge cloud masses. Snow is vital to the balance of mountain ecosystems. Many animal and plant species at high altitudes depend on it for their survival. But due to global warming, snow is falling less and less. Will there be no more snow in the future? In the Alps and eastern US the situation is clear: as temperatures rise, snow falls less and less, and snow periods tend to shorten. This threatens the mountain flora and fauna. What future do the marmots or alpine bells have without a heat-insulating layer of snow? What future do the marmots or alpine bells have without a heat-insulating layer of snow? What will happen to the conifers in North America without the annual frost protection? Research teams are looking at the implications for snow-adapted species. The documentation shows animal mountain dwellers, who hope for the long-awaited snow every winter.

FRONTLINE untangles the mysterious web of satanic ritual abuse, psychiatric treatment, and insurance claims that escalated into millions of dollars. Were these professed victims of secret satanic cults really helped by the psychiatric care they received?

In “Search for the Titanic”, Orson Welles takes viewers into a massive expedition attempting to locate the remains of the famous unsinkable ship at the bottom of the North Atlantic several years after its sinking on its maiden voyage in April 1912.